Art pictures

Φωτογραφίες S/m, fetish, kinky ή άντε να είναι "sensual", όπως λένε οι νηματοθέτες  

 

art λεμε
εκφραστειτε ελευθερα...
 

 

Roberto Ferri

συγχρονος ζωγραφος που δανειζεται το "υφος" του μπαροκ... ταυτιζομαι με το βλεμμα του πανω στην ΓΥΝΑΙΚΑ ως ενα πλασμα μυστιριωδης,σαγηνευτικο,αμφισημμο και συνδεδεμενο με την σαγηνη,τον αντρα,την λαγνεια


 

 

 

 

φωτογραφιζοντας μια σειρα σεξουαλικων επιλογων ...λατρευω τον τροπο του... Serrano

 

 

 

 

 

...λατρεμενες υπαρξεις του μυαλου..ενστικτο


 

 

Αφιερωμένο...
A young, completely nude slave sits on a carpet. The sign hanging from her neck bears a Greek inscription
(Rose, 18 years old, on sale for 800 coins) that offers her as merchandise at an Oriental market.
She chastely hangs her head to hide her shame. The feet of her possible purchasers are visible behind her
as they crown around to contemplate her defenseless nudity.
...
...the conception of this nude reveals a fully naturalist view of the female body, with a corporeal definition
that may be linked to that period’s wide use of photography as an element for studying and analyzing
the human body in the context of artistic disciplines. Τhe artist imbues the young woman’s chaste posture
with a suggestive sensuality that stems from an immediate and vibrant interpretation of her nudity
in an absolutely naturalist vein. This is especially notable in his treatment and definition of her limbs and,
even more so, her abundant tresses, which drape across her shoulders as she tries to hide her shadowed face
in a gesture that strengthens the temptingly sensual character of this presentation.

The artist justifies this splendid academic depiction of a nude woman by placing her in an Oriental setting
reminiscent of the scenes of slaves and odalisques that had become fashionable in France thanks to the works
of great masters of Orientalist painting). The enormous success of those works on the international market
a few decades earlier consolidated a pictorial language.

There is a sensual morbidity to his interpretation of the young woman’s pallid white body against
the contrasting roughness of the colorful carpet. Also striking is the modernity of the steeply downward angle of vision,
which places the viewer considerably higher than the young woman, perfectly suggesting the viewpoint
of the ring of men who have lecherously surrounded the humiliated youth. By painting only their feet,
without broadening the field of vision, he focuses on the degrading and shameful sensation produced by the gazes
of possible buyers around a slave, thus bringing great narrative effect to this compositional resource.